Great photographers bring us good news and bad news. They’ve captured that decisive moment – and it is beautiful or trenchant, often both. Well, yes, but the young girl* caught by Henri Cartier-Bresson’s lens has since run right out of the frame, never to return. The moment in reality is gone; what we’re left with is the artist’s vision.
Nice consolation prize after all; one for which we’re indebted to an eclectic French publisher – really an impresario of the image: Robert Delpire. If New Yorkers hadn’t known Delpire’s name, or been aware of his contribution – “Delpire & Co.,” a four-venue show, made a point in Spring 2012 of Delpire’s influence. In fact, as this exhibition coordinated by the Aperture Foundation made clear, Delpire has called the world’s attention over the past six decades not only to genius in photography but also in illustration, graphics and children’s stories.